"Of Foreign Lands and People," is the lyrical opener to Schumann's Kinderszenen, Op. 15 ("Scenes from Childhood,") but the composer's metronome marking, 108 to the quarter, makes it a challenge to spin poetic lines, though Seymour Bernstein rises to the occasion in his memorable reading. http://youtu.be/7Ao7DHfCNvY Seymour's comments: "Concerning Metronome indications, I personally never observe… Continue reading Comparing tempos and interpretation, Schumann’s Kinderszenen, Op. 15, no. 1
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About Coffee, Cats, and Non-legato
This blog mishmosh is as ridiculous as Cloudy with a Chance of Meatballs, a best-selling children's book title, though it's the perfect segue way to an unmatched set of events that transpired yesterday in Berkeley. Coffee was my first preoccupation after Marta Vago, a long lost "connection" to my late piano teacher, Lillian Freundlich, surfaced… Continue reading About Coffee, Cats, and Non-legato
Piano technique is about flexibility not finger strength
I remember my days at the Oberlin Conservatory pumping out meaningless Schmitt finger exercises, often holding notes down, while a selected persecuted finger had to brave the pain is gain ritual. (tap, tap, tap, tap, and move on to the next unlucky digit) Looking back, it was a wasted effort which had NO relationship to… Continue reading Piano technique is about flexibility not finger strength
Birds invade the Piano/Skype universe, but this one on You Tube stands out!
An adult piano student who continued her lessons by Skype after I relocated to Berkeley from Fresno, brought along her choir of parakeets. Despite a muddy transmission last night, they registered cackles of chagrin and chirps of approval through Burgmuller's "SORROW." But their intuitively musical avian responses were trumped by Frostie the Parrot's feather-ruffling, SHAKE… Continue reading Birds invade the Piano/Skype universe, but this one on You Tube stands out!
Piano Practicing: Taking the robot out of fast passages
It's easy to stare at a Presto Rondo from the Classical era, and wonder how to navigate scads of notes that can end up on the assembly line, pumped out with no sense of individuality. And while herds of them might be corralled with a sensible fingering, their shape and direction often remain out of… Continue reading Piano Practicing: Taking the robot out of fast passages
My Steinway upright has a “new” home, and so do I
Model 1098 was eased out my front door by two piano moving Zen masters, Greg and Jeremy. (I'll give them a Yin/Yang Yelp for their artful twists and turns) http://www.mcpianomove.com http://youtu.be/tNexl2D3NsU It wasn't the first time McCrea's picked up or delivered a piano for me. Two years ago, they transported my Kawai GE20 grand from… Continue reading My Steinway upright has a “new” home, and so do I
Adult student Rhythmic REHAB
I have four piano students in rehab who are grappling with metrical issues. They might start with a healthy quarter note in a five-finger position warm-up; manage proportioned 8th notes, but totally relapse playing 16ths. That's when their confidence sinks to new lows. It's just in time for the metronome, not used as a crutch,… Continue reading Adult student Rhythmic REHAB
Navigating a robust Beethoven Sonatina (not the one everybody plays)
I borrowed a few hours from my Haydn immersion to review a Beethoven Sonatina that is absolutely charming but very challenging. One would think that such a work labeled -mini, by its "-ina" suffix spelled an easier passage to the final cadence by comparison to a composition in SONATA form. Not so. For example, many… Continue reading Navigating a robust Beethoven Sonatina (not the one everybody plays)
Perfect pitch? What’s the big deal?
As I foraged through old e-mail files, I stumbled upon my note to Oberlin alum, Robert Krulwich, WNYC RADIO LAB program moderator. http://www.radiolab.org/search/?q=robert+krulwich#q=robert krulwich He and his co-host had featured psychologist, Dr. Diane Deutsch's podcast on Perfect Pitch. One of her published papers, among others, provided a springboard for discussion: Tone Language Speakers Possess Absolute… Continue reading Perfect pitch? What’s the big deal?
Piano Technique: A fire and ice approach to learning pieces at breakspeed tempo
One of my Oberlin Conservatory piano teachers regarded Vladimir Horowitz as a fire and ice player. He referred to the maestro as having the uncanny ability to turn out a hot performance with a cool demeanor. (The physical control, of course, was AMAZING!) Example: http://www.youtube.com/watch?v=75ZAOwgzoAE Same applies to Yuja Wang, pianist, who delivers a sizzling… Continue reading Piano Technique: A fire and ice approach to learning pieces at breakspeed tempo
