Search Results for: arpeggio

Piano Technique: Practicing well-shaped scales and arpeggios (videos)

It’s always disheartening when students forego their scales and arpeggios at lessons, choosing instead, to dive immediately into repertoire. In their zeal to immerse themselves in the Masterworks, they neglect a pivotal Circle of Fifths journey that’s wedded to keyboard … Continue reading

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Creating a seamless, singing tone legato through arpeggios and scales

My students are often amused by my prompts that frequently include “oohs,” “ahhs,” and “wah’s,” among other spaced out sounds, to prevent consonant sounding notes or hard-liners from interrupting a smooth, “sighing” stepwise descent to the tonic. And from this … Continue reading

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Fluid Arpeggios: No hand twisting, with floating arms and an economy of motion

Piano Technique: Arpeggios LOCATION: From: Berkeley, California To: Sydney, Australia I continue to learn from my students as I view close-ups of their arms, wrists, hands/fingers in motion across the keyboard. Most of my epiphanies occur over Skype or Face … Continue reading

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A London piano student fine tunes her F# Major scales and arpeggios (staccato and legato)

Yu has been my Skype student for a few years now and she’s made big gains in producing a singing tone with supple wrists, relaxed arms, and hand/finger weight transfer. Today she assiduously practiced her F# Major Scale and Arpeggio, … Continue reading

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Piano Technique: Stabilizing tempo, presence of mind, and breathing through scales and arpeggios

This has to be one of my favorite reciprocal teaching/learning videos because it fleshes out the importance of breathing through scales with mindful concentration. Framed by a singing pulse, the scale becomes a model for all playing. Here’s B minor … Continue reading

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Piano Technique: Self-created Scale and Arpeggio Prep

Over months and years, I’ve devised various technique framed routines that happen to be bi-products of trial and error excursions over the keyboard. To the extent that I put myself under self-analysis following a stint of formal piano study, I … Continue reading

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Piano Technique: E minor arpeggios in staccato (various practicing approaches)–Video

Playing staccato triplets through romping arpeggios poses challenges for many students. Tension is triggered by what seems like disconnected notes, when in fact, the root, third, fifth progression should have a connecting thread. (despite note detachment) That’s why I’ll often … Continue reading

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Piano Technique: Breathing through inverted chords and 4-note arpeggios

A thoughtful journey through 4-note (double root) C Major Chords in INVERSIONS was a lesson preliminary to unraveling them with shape and contour. As a start, an adult student imagined the sound intended, breathed through a string of sonorities, and … Continue reading

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Piano Technique: Studying/Mapping out the F# minor scale and arpeggio (Video)

Exploring the two octave model is a good start with a separate hand approach to clarify fingering. I prefer making an adjustment for the opening F#, G#, A in the Right Hand (2, 3, 1) instead of 3, 4, 1 … Continue reading

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Piano Technique: Split-Screen, rolling 4-note arpeggios (C# minor; B minor)

I love to work with students on 4-note arpeggios through inversions, prompting them to ROLL into horizontal, curvaceous groups of notes to avoid up and down finger poking. The elements of visualization (“imagining” motion SHAPES); kinesthetic translation (counterclockwise arm motions) … Continue reading

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