Piano Technique: Weight transfer into the keys and voicing

The application of weight that's channeled into the keys through relaxed arms and supple wrists is an important ingredient of musical playing. It supports a variety of colors in "voicing" myriads of notes, while it increases attentive listening skills. Central to the "voicing" process are decisions made about what lines need drawing out, and how…

Thinking in One through a brisk 3/8 movement (Clementi)

My students continue to teach me as we move along at a pace that does justice to the unfolding of a work over time without a rush to destination. For each pupil the journey is different and varied, without definitive markers of absolute progress. Having said that, a movement that is brisk (as metaphor to…

Creative phrasing or reading between the lines

We are taught as piano students to have respect and reverence for what the composer notates in his score as pertains to tempo, dynamics and other embedded forms of expression. (i.e. directives such as poco rit., calando, note slurred legato and non-legato, etc.) Yet, these are only framings that give life to expression only when…

Our self-made tutorials grow teaching skills

Ever since I embarked upon my very first lunge at globalizing my ideas over the Internet---devising a "chunking" strategy to play black key weighted scales B, F#, and C# Major, I realized that I was teaching myself while helping others. A "blocking" technique in its infancy, blossomed into more sophisticated analyses of how to approach…

Piano Playing time zones: Past, Present, and Future

As teachers, and eternal students of the piano, we often have epiphanies that are worth jotting down at peak moments of enlightenment. Certain words, attached to insights that spring up in the course of lessons become thematic, resonating beyond a particular composition under study. To this effect, over months and years, I've heard myself redundantly…

Akiko’s Piano

Today, I stumbled upon a You Tube video that intertwined the ravages of the A-bomb, with a remarkable visit to Japan made by Martha Argerich. (It's titled The Piano That Loved Chopin: Akiko's Piano) The short but riveting film centers upon a vintage upright piano (made in the USA) that survived a fiery World War…

Evaluating an Acoustic piano before purchase

I've often been asked about the nuts and bolts of assessing a piano, even before a technician lays his hands on it. (A Registered pro will explore facets of internal assembly while my journey of discovery is intuitively tactile and tonal, forged on behalf of students searching for an alternative to the digital universe.) The…

A week of digital and acoustic pianos!

Every so often, I find myself at the local piano outlet, tinkering with the latest digitals on and off the shelf. (portables and consoles) And as the weekend rolled in, I was invited to DC Piano by a new student who'd purchased a Kawai CA 58 console electronic without my input. No doubt, my prodding…

Piano Practicing: Phrasing in Groups of notes

Many students complain about getting stuck at junctures of scales, or in the midst of passagework in a variety of pieces. As mentor, having observed these glitches from an objective distance over cyber or through person-to-person contact at my studio, I've concluded that note-to-note "vertical" playing can snatch continuity from the mind down to the…

A memorable Evgeny Kissin Piano Recital!

With our ultra exposure to You Tube, MP4s, CDs, etc. we often forget what it's like to experience a LIVE performer inhabiting an acoustical paradise such as Davies Hall, San Francisco. In a give and take between pianist and audience, a swell of dynamics and limpidly melting cadences elicit an intimate exchange of emotions that's…