Alessandro Deljavan is a Cliburn winner for me!

Over at the Piano World forums, it's the morning after selection of Cliburn Competition finalists, and many are aghast that a dynamic, soulful, and risk-taking pianist was overlooked. Here's what one poster said: "Competition winners are typically the reliable pianists somewhere in the middle when it comes to interpretation--those who don't go out on a…

Beethoven Pianos on W. 58th is a treasure of restored pianos, and new ones, too.

It's a good sign when a piano establishment is open on Memorial Day! In the glow of its colorful banner, Beethoven's was such a welcoming opportunity of which I availed myself. An important "player" on Manhattan's "piano row," it's one of a few restorers that also offers a selection of NEW instruments--like the Sauter (German)…

My side-by-side harpsichord/piano chat with Elaine Comparone in her NYC musical sanctuary

My visit with Elaine Comparone, harpsichordist, was the first of my musical treats after touching down in hometown New York. While the weather was a bit gray and unseasonable, Maestra Elaine lifted my spirits with her impeccably beautiful reading of Bach's D minor concerto. Soon enough, it was recorded in full force with ensemble on…

A Russian composer’s colorful pieces with a strong teaching dimension

Native Russian, Samuel Maykapar (b.1867, d. 1938) composed a set of gorgeous, program-inspired pieces, that are carefully phrased, articulated, and fingered. The music is ear-catching in the spirit of Dimitri Kabalevsky and William Gillock as all three composers were highly expressive and imaginative within a pedagogical framing. Maykapar aims to teach an ebullient, crisp staccato…

Capturing the first sunrise in our practicing and performing

I always ponder the process of learning a new piece and how I want to experience and re-experience a freshness that seems to come with my earliest exposure to the printed page. As I set out my fingering, isolate lines or voices, in a Bach Three Part invention, for example, or even within the Adagio…

An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”

Rada Bukhman, a Vancouver-based piano teacher with native Russian roots, has produced a 212-page soft cover volume that entices with its interspersed selections of compositions at various learning levels. The text offers a variety of fascinating topics, "Developing Initial Musical Skills: on the Nature and Development of a Musical Ear, on Rhythm, Preparatory Stage, Sight-Reading"…

What pianists can learn from opera singers

As pianists, we're allied to opera singers and their creative process in more ways than we think.

Beth Levin, pianist, surfaces from one of my past lives

A subscriber to my Facebook page planted a blurry memory of herself when she complimented my blog in a private message. The name rang familiar, but I couldn't precisely place it. At first glance, I knew she was a reputable musician with a stash of impressive You Tubes but beyond that, my memory faded. A…

“Jerusalem of Gold” led me to a violin treasure

Yesterday, I decided to record Nemer's "Jerusalem of Gold" to prepare for a luncheon appearance at an East Bay Jewish Community Center. http://youtu.be/wBjvDRmJgDE Little did I know that after reviewing my you tube upload, that I'd spot a right column of videos with Ida Haendel, a near 90-year old violinist who proved to be a…

Advice for teaching piano students about dynamics and phrasing

This was the hallmark topic at a Linked-in piano forum board, with many piano teachers chiming in with great suggestions. For me, singing beside a student or nudging him/her to join in is always helpful. I focus on shaping phrases in this way while also enlisting conducting motions. Finally, insights into how harmonic rhythm or…