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Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in… Continue reading Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

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PART ONE: Guess what happened on the way to my El Cerrito Piano studio? (Photos)

I must have had ESP when I packed my Sony Cybershot Digital Camera into my purse before setting out for Amtrak 711 on Monday. After a 3+ hour journey along the scenic route, I de-trained and caught the Bart at Richmond, inching my way to the Del Norte Station in El Cerrito. Greeted by crystal… Continue reading PART ONE: Guess what happened on the way to my El Cerrito Piano studio? (Photos)

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Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

This instruction continues from measure 41 through 57, where agitated pairs of 8th notes return, picking up the opening motif. As expected, I use blocking or clustering to keep the redundant figures resilient and bundled with energy. (a forward moving wrist motion is attenuated in rapid tempo, but more exaggerated in the slow practice phase)… Continue reading Piano Instruction, Part THREE Beethoven “Tempest” Sonata in D minor, Op. 31, No. 2

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Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice

A tricky chromatic scale with a turn-around at its end ushers in a stormy, impassioned section with cross-over hands. Some players observe the notation to a tee, and avoid these hand-over-hand maneuvers, but I, like many other pianists do the re-arranging in the interests of smoothly trailing a melodic line that starts in the bass… Continue reading Piano Instruction: Part TWO, Beethoven’s “Tempest” Sonata, Op. 31, No. 2, Hand Cross-over, with tremolo in the middle voice

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In the Piano Universe: Two You Tube Treasures not to miss!

Every so often, I stumble upon an uploaded You Yube performance that grabs my ears. In this instance, it was a Mozart encore offered by pianist, Mitsuko Uchida, that led straight to a compelling videotaped interview with her. With my antennae up and ready for more sparkle to light up my day, I was amply… Continue reading In the Piano Universe: Two You Tube Treasures not to miss!

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Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

Over time, when we return to a piece that is well-learned, and in some cases has become a bit too predictable without a touch of inspiration, a revitalized, updated version might be worth a try. In this regard, I'm always re-recording time-honored pieces periodically, to refresh them. To broaden my perspective, I search You Tube… Continue reading Comparing performances of Mozart Sonata in C, K. 545, Movement 1, Allegro (Tempo, alone can make a big difference)

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A video supplement to a Skyped piano lesson (Instruction for Minuet in G minor from Anna Magdalena Bach’s Notebook)

Following today's Skyped lesson to Pennsylvania, I created a video to reinforce instruction pertaining to the "Minuet in G minor" from the Anna Magdalena Bach Collection. This composition is attributed to Christian Petzold. http://www.youtube.com/watch?v=htm1ez09Qf8 My adult student wanted to study this piece which has challenging Baroque-style phrasing and articulation. During our class time today we… Continue reading A video supplement to a Skyped piano lesson (Instruction for Minuet in G minor from Anna Magdalena Bach’s Notebook)

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Skyping piano lessons with an iMac, Logitech cam, and Yeti mic (videos)

Here's my set-up for Skyped piano instruction. A travel itinerary minus airport delays and x-ray scanners included stop-offs in Pennsylvania, Sydney, Australia; Portland Oregon, and London, England. Lessons have been scheduled as needed. A Power Point-less presentation offers more: http://www.youtube.com/watch?v=KkxknMXWdIY *** A Skype lesson-in-progress to Sydney fleshes out a bi-screen video landscape. (two Logitechs in… Continue reading Skyping piano lessons with an iMac, Logitech cam, and Yeti mic (videos)

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Piano Lesson: Rina, 5, learns to play legato across five fingers from C to G and back

Six months of piano lessons: Rina made a big jump today after having had considerable experience playing single, detached fingers for all notes in the music alphabet. In addition she's been rolling pairs of fingers to create a nice legato from note to note. (2-note slurs) I've prepped her with 1,2 and in reverse, 2… Continue reading Piano Lesson: Rina, 5, learns to play legato across five fingers from C to G and back

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A Musical Family: Andrew Li, 11, follows older brother, George to the piano

I was awestruck by a You Tube video recommended by George Li, a 16-year old pianist with an impressive performance resume. He had recommended a sample of his younger brother's playing on a Spring Sunday morning. With the family tie-in whetting my curiosity, I didn't hesitate to mouse tap to a special treat: Andrew, 11,… Continue reading A Musical Family: Andrew Li, 11, follows older brother, George to the piano