Category: talkclassical.com

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My Haddorff piano plays Beethoven’s “Moonlight” Sonata, First Movement: Adagio Sostenuto (Video)

arioso7: Shirley Kirsten

A piano with Old World character and honey dipped resonance. Pat Frederick of the Frederick Collection of Keyboard instruments, agreed that my Haddorff has something very special, and she proceeded to share the news of her latest additions: a 1902 Chickering, and Pleyel. These pianos, among other treasures, are living, breathing instruments that are played… Continue reading My Haddorff piano plays Beethoven’s “Moonlight” Sonata, First Movement: Adagio Sostenuto (Video)

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A new member of the piano family has arrived: “Haddy,” 1951 is home! (Video)

arioso7: Shirley Kirsten

Yesterday was a sight to behold. My Haddorff, 1951, a stunning new acquisition, with an old world timbre (though it still needs a thorough maiden tuning in its new abode), was wheeled on a dolly, wrapped in blankets through the streets of Northwest Fresno. Traffic yielded, and two drivers jumped out with cameras. Two business… Continue reading A new member of the piano family has arrived: “Haddy,” 1951 is home! (Video)

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Piano Practicing: Re-doing and Refining

arioso7: Shirley Kirsten

Studying piano, playing through the great piano literature, requires revisiting, re-doing and refining our work. This undertaking should not carry a value judgment that what preceded was poor or inadequate. Those adjectives do not belong to the process of learning. After all, we do not fault babies for crawling before walking because we realize it's… Continue reading Piano Practicing: Re-doing and Refining

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Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=aCck4ZFNeQI When students do routine scales and arpeggios as warm-ups to their tour de force pieces, I like to spice things up a bit by playing around with voicing and weight control. (Yes, you heard me right) I'll surprise them by asking for the Left hand notes to be fleshed out, while the Right ones… Continue reading Piano Technique and Weight Control: Bringing out and balancing voices (Video) Teacher, Shirley Kirsten

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Piano Instruction: The Virtues of Slow Motion Practicing and Attentive Listening

arioso7: Shirley Kirsten

It takes patience to approach a piece well behind tempo, tuning in to every nuance and turn of phrase. With ears alert and sensitive, the player tries to create a feeling state where he's submerged in sound to the exclusion of all else. At the pinnacle of concentration, he's "in the zone," attaining Maslow's "peak… Continue reading Piano Instruction: The Virtues of Slow Motion Practicing and Attentive Listening

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Piano Instruction: Practicing the Schubert Impromptu in Gb, Op. 90 in Steps (4 videos)

arioso7: Shirley Kirsten

It's obvious that I'm a novice at video editing now that I'm on my own, but I managed to put together 4 videos demonstrating a step-wise approach to practicing the Schubert Gb Major Impromptu. I parceled out voices beginning with the soprano (melody) and then continued to the bass and alto using blocking techniques. Fingering… Continue reading Piano Instruction: Practicing the Schubert Impromptu in Gb, Op. 90 in Steps (4 videos)

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Should a piano teacher be able to play pieces assigned to students?

arioso7: Shirley Kirsten

This question, posed on numerous Internet piano forums, elicited varied opinions from teachers and students. One participant asked about Dorothy Delay, who taught some of the most celebrated violinists at the Juilliard School. When this esteemed mentor had reached an advanced age, would she have been able to demonstrate challenging technical passages for her pupils?… Continue reading Should a piano teacher be able to play pieces assigned to students?

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How to Improve Sight-reading at the Piano

arioso7: Shirley Kirsten

A universal complaint among piano students relates to sight-reading. They find themselves stumbling through the first playing of a brand new piece, not knowing if an end is in sight. The faltering, (wrong note, right note in treble and bass clefs) can keep a "reader" so contained in one measure at a time, if not… Continue reading How to Improve Sight-reading at the Piano

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Taking Piano Lessons: Skimming the surface or getting deeply involved?

arioso7: Shirley Kirsten

I often think about a prevailing atmosphere of depersonalization these days fostered by cell phones, text messaging, being on the periphery of things, touching bases, not really getting deeply connected to any one subject. Social networking, video games, compulsive school testing, and a dearth of hands-on learning experiences keep many children at bay, floating from… Continue reading Taking Piano Lessons: Skimming the surface or getting deeply involved?

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Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=rEAm3TYmSIk I've chosen Burgmuller's E minor "Inquietude" (Restlessness) from the composer's Twenty-Five Progressive Pieces, to demonstrate a spring forward movement of the wrist used with groupings of three slurred 16th notes that permeate the selection. I also enlist syllables, "da-lee-dle" to assist with shaping the 3-note figures. http://www.youtube.com/watch?v=oyzhVZJODn0 The Schirmer edition is below. I use… Continue reading Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)