Alessandro Deljavan is a Cliburn winner for me!

Over at the Piano World forums, it's the morning after selection of Cliburn Competition finalists, and many are aghast that a dynamic, soulful, and risk-taking pianist was overlooked. Here's what one poster said: "Competition winners are typically the reliable pianists somewhere in the middle when it comes to interpretation--those who don't go out on a…

Beethoven Pianos on W. 58th is a treasure of restored pianos, and new ones, too.

It's a good sign when a piano establishment is open on Memorial Day! In the glow of its colorful banner, Beethoven's was such a welcoming opportunity of which I availed myself. An important "player" on Manhattan's "piano row," it's one of a few restorers that also offers a selection of NEW instruments--like the Sauter (German)…

My side-by-side harpsichord/piano chat with Elaine Comparone in her NYC musical sanctuary

My visit with Elaine Comparone, harpsichordist, was the first of my musical treats after touching down in hometown New York. While the weather was a bit gray and unseasonable, Maestra Elaine lifted my spirits with her impeccably beautiful reading of Bach's D minor concerto. Soon enough, it was recorded in full force with ensemble on…

The premier piano “haus” on W. 58th!

The high point of my trip to NYC was inhabiting a paradise of pianos on "piano row." That's what they call "West 58th" between Broadway and 7th Avenue. In the imposing shadow of Carnegie Hall that envelops the neighborhood, Klavierhaus manages to retain its unique character amidst a glut of piano restorers such as Beethovens…

Another musical treasure by Samuel Maykapar

(The above manuscript is sourced from Rada Bukhman's Discovering Color Behind the Keys: The Essence of the Russian School of Piano Playing) http://youtu.be/xfiO7uXk9CM "Waltz" is a charming composition worth every bit of baby-step practicing. While it looks easy on the surface, the pedaling carefully noted by the composer, is a significant challenge. It does not…

A Russian composer’s colorful pieces with a strong teaching dimension

Native Russian, Samuel Maykapar (b.1867, d. 1938) composed a set of gorgeous, program-inspired pieces, that are carefully phrased, articulated, and fingered. The music is ear-catching in the spirit of Dimitri Kabalevsky and William Gillock as all three composers were highly expressive and imaginative within a pedagogical framing. Maykapar aims to teach an ebullient, crisp staccato…

A Journey down memory lane

A timely posting in advance of my Big Apple touchdown

Capturing the first sunrise in our practicing and performing

I always ponder the process of learning a new piece and how I want to experience and re-experience a freshness that seems to come with my earliest exposure to the printed page. As I set out my fingering, isolate lines or voices, in a Bach Three Part invention, for example, or even within the Adagio…

An interview with Rada Bukhman, pianist, teacher, author, about the “Russian School of Piano Playing”

Rada Bukhman, a Vancouver-based piano teacher with native Russian roots, has produced a 212-page soft cover volume that entices with its interspersed selections of compositions at various learning levels. The text offers a variety of fascinating topics, "Developing Initial Musical Skills: on the Nature and Development of a Musical Ear, on Rhythm, Preparatory Stage, Sight-Reading"…

J.S. Bach and blurred tonality (learning the three-part Invention or Sinfonia in F minor, BWV 795)

The Sinfonia in F minor is a tour de force work of art, perhaps evocative of the composer's Musical Offering in its strikingly atonal sections. Yet there are definitive cadences in Major and minor keys that occur at the terminus of tonally ambiguous tunnels. Bach wrote a preface to the two and THREE Part Inventions…