Artful piano playing: Rising above the notes by “feeling,” singing, and “shaping” phrases

Burmguller's "Sincerity," Op. 100 is the perfect vehicle for spinning limpidly beautiful phrases. But how does the pianist go beyond what appears to be strings of 8th notes that can easily sound typed out. To avoid the ponderous, vertical approach to these semi-quavers, a set of baby-step preliminaries can nurse along a heartfelt, well-"shaped" musical…

What pianists can learn from opera singers

As pianists, we're allied to opera singers and their creative process in more ways than we think.

Interpreting piano music: Should we truly realize the composer’s intent?

Matters of interpretation came up at the "Y" Gym yesterday when I bumped into the pianist from a North Berkeley house of worship. Aline is a fine musician who intersperses the service with great masterworks. Recently she played Grieg's "Wedding March" during the basket-passing which lifted spirits as it amassed $$$$. At that very instant,…

Learning a J.S Bach Sinfonia from the ground up (F Major, BWV 794)

On to three voice counterpoint, following a two-dimensional Bach Invention journey in the company of several piano students. So why not open the door to my private practice room for a layered learning sample a trois. I'm no different than those I teach. The double standard does not exist for those of us who embark…

Romantic era piano repertoire: A murmuring stream and the supple wrist (Burgmuller creates beauty from simplicity)

"The Clear Stream" from Friedrich Burgmuller's Twenty-Five Progressive Pieces offers a student an opportunity to create limpidly beautiful phrases from unraveled broken chords spun out in triplets. In order to create the "mormorando" (murmuring effect) in the treble, it's best to first block out the "chord" patterns with a "spongy" wrist in slow motion before…

A Tribute to traveling piano teachers

I'm lucky that for decades I've been a stationary piano teacher, home-based for Skype, but having two youngsters whom I teach at their house up in the El Cerrito Hills. Fortunately, I get chauffeured to and from the location so I don't have to schlep to Bart, or burn up gasoline in my non-existent car.…

“Flamenco” by Gillock is a winner! (Intermediate Level piano repertoire)

Over the years, Gillock's music has sparked the enthusiasm of piano students who sometimes need a kick start piece to lift them out of a rut. "Flamenco" can be such a game changer! For Fritz, age 9, who's infatuated with baseball and soccer, the sheer energy of this character piece, draws him to the piano…

Advice for teaching piano students about dynamics and phrasing

This was the hallmark topic at a Linked-in piano forum board, with many piano teachers chiming in with great suggestions. For me, singing beside a student or nudging him/her to join in is always helpful. I focus on shaping phrases in this way while also enlisting conducting motions. Finally, insights into how harmonic rhythm or…

A Love story born of flowers and set to the music of Bela Bartok

It was my birthday a few days ago, and I was blessed with the gift of flowers and a plant from two close friends. These sit side-by-side atop my upright piano: Little did I know that "Roy" who delivered the tulips to my doorstep had quite a story to share about how he met his…

Irina Morozova plays Gershwin!

Here's a photo-imported version of "I Got Rhythm!" (Click HD) http://www.youtube.com/watch?v=8vaOK7MosFo&feature=youtu.be On the artist's CD menu are the following treats: 1. Gershwin Improvisations for Solo Piano: Clap Yo' Hands 2. Someone to Watch Over Me 3. Sweet and Lowdown 4. Maybe 5. S'Wonderful/Funny Face 6. That Certain Feeling 7. Looking for a Boy 8. Earl…