The composer’s Metronome Marking and how pianists deal with it

I encountered a few performances of Burgmuller's "Harmony of the Angels" Op. 100, that were so briskly played, that I made sure to consult the composer's Metronome Marking for a reality check. And it was true that Dr. Alan Huckleberry and Phillip Sear, were the "speediest" players on You Tube. While they were not consistently…

An 8-Year old begins piano lessons!

An exciting musical journey has begun! Liz, an 8-year old who prances by my apartment singing mellifluously, became my newest piano student last night. Her lesson opened with, "Welcome to a universe of the imagination," an inspired framing that kept student and teacher riveted to 45 minutes of collaborative music-making. (The duet form was the…

When a Virtual Piano Student becomes a Reality!

A North Carolina ONLINE piano student comes to Berkeley, California for a LIVE lesson right before the Super Bowl!

One grand piano in, and another out, but not forgotten

https://youtu.be/6BSvDPdSNt4 My tiny Berkeley apartment had been shrinking by increments with its herd of tight-squeezed grand pianos and digital keyboards. Count in a Baldwin grand acquired in April, 2015; a medium size Steinway grand (5'7") bequeathed by my father after Oberlin graduation, and two side-by-side digital keyboards--YDP 105, and Yamaha Arius 141. The electronics were…

Mirrors and piano playing

As we age, we're reluctant to look at our reflection in the mirror, but as we grow over time as musicians, the mirror of our playing in recorded "reflections" can foster quality adjustments in phrasing and interpretation. If we nudge ourselves to step back and be "objective" about what we're hearing, we may try to…

No piece is too easy

Having recently started mentoring a new student whose principal instrument is guitar, I realized that repertoire offered at the beginner level requires the same sensitive understanding of phrasing, nuance, framing rhythm and the underlying singing tone that applies to music of greater complexity. (Not to overlook the common cultivation of all-embracing mindfulness, focus, and full…

The Art and Music synthesis: Does it exist?

Most musicians fully appreciate the extra-musical "programmatic" content in works by Romantic era composers. Robert Schumann, for example, captures children playing tag by throwing "got you" accents on the downbeats of measures framed in sprightly staccato. (short, detached articulations) The aforementioned is well-illustrated in Schumann's colorful tableau, "Hasche-Mann"-"Blindman's Bluff" from Kinderszenen: (The vocabulary of art…

Barnyard follies in the piano studio, or how imaginative prompts can improve technique

As piano teachers, we often devise spur of the moment, impromptu strategies to deal with redundant student glitches as they frequently play out in scales and arpeggios. In this creative teaching/learning universe, we can become quite imaginative as we integrate physically-based adjustments with mental cues and prompts that might ironically lead us to the "barnyard."…

A balanced piano lesson of Technique and Repertoire

If a student is well-prepared, having devoted quality time during the week to practicing scales, arpeggios, and pieces assigned, a lesson can contain a nice balance of ingredients. Barring holidays, long distance travel and time zone changes, most pupils will devote 15 to 20 minutes of their lesson to technique, and the remaining 40 minutes…

When Your Song Breaks the Silence: A book about Franz Schubert

One of the fruits of forming a Short Story Book group, is meeting people who not only share an embrace of fine literature, but who might also enjoy a strong connection to the music world. Judith and Stan Jacobs fit nicely into this dual universe, having become members of my shrinking degrees of separation literary…