Category: arpeggios

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Adult piano students say and do the darndest things.

arioso7: Shirley Kirsten

I remember Art Linkletter's show, "Kids Say the Darndest Things," which made me think of a few adult piano students and their hauntingly memorable words. Yesterday, for example, I was forewarned by a 70-year old pupil, that I should expect a call from her during the night about the key of "F# minor." What impending… Continue reading Adult piano students say and do the darndest things.

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Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=JZxNy1VeOjk up tempo: http://youtu.be/t-3D6-s5qok Be prepared to exercise your eyeballs minus head movements when tackling large leaps, especially those hand-over-hand acrobatics that are intrinsic to many of Domenico Scarlatti's sonatas. In the first video I've isolated a few of these jumps from Sonata K. 113 in A Major, demonstrating what I've found to be the… Continue reading Piano Technique: Big Leaps, Crossed Hands, and shifty eyeballs (with slow motion video replay)

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Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=LQiaWoJaUfQ Domenico Scarlatti never fails to come up with a flashy pyrotechnical escapade that can make or break a player in progress. I know, because I've walked the plank with this piece until I was able to reverse my fortune and run with it happily into the horizon. Any number of times those repeated notes,… Continue reading Domenico Scarlatti Sonata (Toccata) in D minor, K. 141 with reams of repeated notes (VIDEO)

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Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=Yh09WH_g7wo I can always use an extra pair of hands to navigate the Baroque composer's technically challenging sonata It's a real workout playing Domenico Scarlatti's essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer's music require a daredevil to take on the challenge. Scarlatti will sometimes defy a player… Continue reading Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds

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Great Piano Teaching Moments

arioso7: Shirley Kirsten

This remarkable piece of film footage inspired a stream of others. http://www.youtube.com/watch?v=5Ur7SoOVRhk Nadia Boulanger (b.1887-d.1979) the esteemed teacher, composer, theoretician, organist, pianist, taught and influenced so many great musical creators such as Leonard Bernstein, Aaron Copeland, Virgil Thomson, Walter Piston and Philip Glass. From Wikipedia: "Boulanger's teaching methods included traditional harmony, score reading at the… Continue reading Great Piano Teaching Moments

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A Performance I’ll Never Forget!

arioso7: Shirley Kirsten

I couldn’t pass up an opportunity to provide keyboard music at a Fresno art supply store. It happened quite unexpectedly around the time I’d bumped into Ralph Cato, US Olympic Boxing Trainer at the neighboring Guitar Center. (“Cato, His Killer Keyboard and A Round of Piano Lessons”) Because I liked the establishment’s acoustical environment, I… Continue reading A Performance I’ll Never Forget!

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The very first Chopin Waltz that I teach: #19, Op. Posth. in A minor (Video instruction)

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=CJ--gGIwgAA After decades of teaching the Chopin Waltzes, I've come to the conclusion that the A minor, No. 19, Op. Posthumous is the best student introduction to the form as the composer cultivated it. While many other Waltzes in Chopin's collection are far more substantial and technically challenging, No. 19, is in my opinion, easiest… Continue reading The very first Chopin Waltz that I teach: #19, Op. Posth. in A minor (Video instruction)

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Why Play Scales?

arioso7: Shirley Kirsten

Scale practicing examples: https://youtu.be/SJGbnFQB8L8 https://youtu.be/Bo1ptHbMu9M https://youtu.be/W3N_9Me7hXQ *** The Backdrop: As a young piano student living in New York City, I remember my reluctance to prepare a mandatory scale each week for my lesson. In fact my first teacher had so many students, she always seemed to forget the scale she had assigned to me, so… Continue reading Why Play Scales?

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Piano Lesson: Step by step Diminished 7th arpeggio warm-up with a 10 yr. old student

arioso7: Shirley Kirsten

I previously discussed diminished 7th chords and how they are constructed as an introduction to an actual warm-up routine. The missing ingredient was the student: https://arioso7.wordpress.com/2011/01/19/piano-instruction-playing-diminished-7th-chords-and-arpeggios-video/ In this video, a ten year old pupil fills the bill, romping over the keyboard, joining in a scintillating choreography with her teacher: http://www.youtube.com/watch?v=mhazCUOzzdI Diminished 7th arpeggio sampled: G#… Continue reading Piano Lesson: Step by step Diminished 7th arpeggio warm-up with a 10 yr. old student

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Practicing Bach Inventions 4 and 13 with my 10 year old piano student

arioso7: Shirley Kirsten

We had fun videotaping part of a lesson from a different camera angle. My student and I sat in front of our separate pianos, collaborating on two Bach Inventions. (Number 4 in D minor and number 13 in A minor) http://www.youtube.com/watch?v=2Y3CaCycoHE In the first segment, my pupil is playing through the d minor Invention, mostly… Continue reading Practicing Bach Inventions 4 and 13 with my 10 year old piano student