My first POWHOW class, "Top Notch Tone Tutorial," brought a group of piano enthusiasts who appeared in their own unique "boxes" eager to learn about touch, tone, and nuance. An inspired pooch even chimed in off camera, but was quickly re-routed to BOW-WOW Dog Discipline 101. EXCERPTS: http://www.youtube.com/watch?v=nvPMflpfDUA *** The PIANO basics were top priority:… Continue reading A Power Piano Powhow Launch! (LIVE webcam class instruction)
Category: pianist
Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach
The Pastorale in D, included in Margery Halford's Scarlatti, An Introduction to his Keyboard Works, poses significant musical challenges. In the technical realm, the composer has a tricky landscape of two-note legato figures as offbeats in the treble, and these are set against bass, dotted quarter rhythms. (This counterpoint is later inverted in the middle… Continue reading Piano Instruction: Pastorale in D Major, K. 415 by Domenico Scarlatti, a stepwise approach
Part THREE: Guess what happened on the way to my El Cerrito Piano Studio? (Photos!)
There was no rooster greeting me for the past two weeks as I wound my way from Bart Del Norte into the El Cerrito Hills. The "cockadoodledoo" had been a welcome embellishment to my time-honored walk and I wondered what happened to the messenger. Once I had ensnared some video through a wood fence opening… Continue reading Part THREE: Guess what happened on the way to my El Cerrito Piano Studio? (Photos!)
Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)
Burgmuller's Ballade from his Opus 100 Progressive Piano Pieces is often coined "spooks" because of its Halloween-like opener. Composed in 3/8 time, it moves along in ONE, though the performer should not over-emphasize the first beat in each measure. The way the composer slurs and phrases notes suggests another approach. Thinking LONGER lines and phrases… Continue reading Piano Instruction: “Ballade” by Burgmuller– phrase contouring and curves of energy (Videos)
Looking back to early piano lessons with Rina, 5, with a solid musical foundation to build on (And now the present) Videos
I'm glad I videotaped many of Rina's early lessons, (from age 4) since I have a tendency to be creative, and take liberties with any instruction in book form. It's a great reference repository and springboard for new ideas. To start with, Irina Gorin's Tales of a Musical Journey, has got it right by its… Continue reading Looking back to early piano lessons with Rina, 5, with a solid musical foundation to build on (And now the present) Videos
Piano lesson-in-progress: Shaping a solo for the right hand in Beethoven’s “Fur Elise” ( a “vocal” transition) Videos
Marie, an adult student practiced measures 32-40 of "Fur Elise," enlisting the model of a singer who shapes and nuances phrases with meticulous breath control. While pianists are not operatic performers, they must imagine that their arms, wrists and fingers are making a vocal transfer to the keyboard thereby overcoming a physical distance from the… Continue reading Piano lesson-in-progress: Shaping a solo for the right hand in Beethoven’s “Fur Elise” ( a “vocal” transition) Videos
Learning a new piano piece quickly and thoroughly (Videos)
I challenged myself to quickly learn the shortest Scarlatti sonata on record (K. 431 in G) and share the principles of developing this piece to a level of fluidity with interested students. Perhaps it would help them navigate a new musical landscape. *** Looking over the two-page Scarlatti score, we notice a preponderance of broken-chord… Continue reading Learning a new piano piece quickly and thoroughly (Videos)
Piano Technique: Practicing an E Major Arpeggio during a lesson-in-progress (Video with tips on creating a rolling contour)
This piano student will gain a lot by reviewing footage taken at her lesson. It provides a practicing framework that zeroes in on the physical/musical aspects of creating a contoured arpeggio. Here's video where I'm teaching Sakura, 13, who's studied piano with me for 3 years. We worked on rolling, relaxed arms, supple wrists, and… Continue reading Piano Technique: Practicing an E Major Arpeggio during a lesson-in-progress (Video with tips on creating a rolling contour)
Piano Lesson: Rina, 5, plays “Frere Jacques” in C Major and “sad” minor, with legato fingering (smooth and connected) Video
Since Rina embarked upon legato playing two weeks ago in a five-finger position "roll" up and down, she's made a nice transition to rendering her pieces in smooth and connected style. The detached-note playing for at least 6 months prepared her for LEGATO. Here's "Frere Jacques" in C Major, and minor.(using Eb) http://www.youtube.com/watch?v=_pzkLrQbjYk Rina "READS"… Continue reading Piano Lesson: Rina, 5, plays “Frere Jacques” in C Major and “sad” minor, with legato fingering (smooth and connected) Video
Teaching Piano to Young Children, A Creative New Approach
I will be giving LIVE webcam classes for Book I, Tales of a Musical Journey by Irina Gorin. http://www.powhow.com/classes/shirley-kirsten Class Title: Teaching Piano to Young Children (4 to 7 years old) with a Creative New Approach Saturday, May 19, 2012 1:00pm-2:00pm PDT I will lead parents and piano teachers, chapter-by-chapter through Irina Gorin's Tales of… Continue reading Teaching Piano to Young Children, A Creative New Approach
