Month: April 2012

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Launching a LIVE Webcam Piano Class at POWHOW! (Videos)

arioso7: Shirley Kirsten

Yesterday was an experience! A writer friend had referred me to POWHOW, an online conduit for webcam-driven classes, and my first thought was HOW ON EARTH did this apply to piano lessons which held a sanctimonious ONE-to-ONE student/teacher space for centuries? (It had started in Italy with Cristofori and his miraculous pianoforte invention) Would I… Continue reading Launching a LIVE Webcam Piano Class at POWHOW! (Videos)

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Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)

arioso7: Shirley Kirsten

Many piano students who practice Debussy's Arabesque no. 1 tend to grab and articulate notes, rather than let them flow from energy streaming down relaxed arms into supple wrists. Reliance on fingers-down playing becomes the panacea for accuracy, while it sacrifices poetic musical expression. In the video below, I demonstrate how phrases can be sculpted… Continue reading Piano Technique: Playing beyond the fingers to sculpt beautiful phrases (Debussy Arabesque no. 1)

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Teaching piano to Rina, 5, with a supplementary video for mom that outlines our lesson plan and goals

arioso7: Shirley Kirsten

Rina's mother attends her daughter's lessons, takes notes, and receives a follow-up assignment. Today, I sent her a video that summarized what we had accomplished yesterday along with a goal-setting outline. *** The child has been working on her legato which is a new and enticing musical universe. For the better part of 6 months… Continue reading Teaching piano to Rina, 5, with a supplementary video for mom that outlines our lesson plan and goals

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Part TWO: Guess what happened on the way to my El Cerrito Piano Studio? (Video)

arioso7: Shirley Kirsten

I'm no country bumpkin, but as I departed Bart's El Cerrito Del Norte station, I felt like one. Last week I ran into a turkey, most likely separated from the pack. And as it daintily climbed up the steps of a split-level house, turning around for a for a few seconds, I caught it on… Continue reading Part TWO: Guess what happened on the way to my El Cerrito Piano Studio? (Video)

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Piano Technician Call Back: Please fix these notes! (Before and After Video)

arioso7: Shirley Kirsten

Growing up in New York City, I had a memorable, rotund tuner named Buchbaum, who talked my ear off while tuning a Sohmer upright. Consequently, he left the piano with "beating" octaves, thirds, and sixths. In so may words, the piano not only took a beating, but it warbled all over the place, causing widespread… Continue reading Piano Technician Call Back: Please fix these notes! (Before and After Video)

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Piano Instruction: Teaching “Flamenco” by Gillock with chord blocking and wrist forward spring motions (Videos)

arioso7: Shirley Kirsten

A favorite piece bundled with color and energy, Gillock's "Flamenco" is a joy to teach. The good news is that it has many chordal patterns built into its fabric, making it a easier to learn than works with less symmetry. In my instructional video, I use a "blocking" technique to map out the topography and… Continue reading Piano Instruction: Teaching “Flamenco” by Gillock with chord blocking and wrist forward spring motions (Videos)

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“The Secret Genius” of Pianist, Vitaly Margulis

arioso7: Shirley Kirsten

A serendipitous Facebook Friend request from Jura Margulis on the eve of my birthday, led to this bundle of love delivered on You Tube. As oxymoronic as it may sound, the pianist's father, Vitaly, channeled through cyber, wooed me into a sanctuary of beauty by his liquid phrasing and total immersion in Chopin's palette. It… Continue reading “The Secret Genius” of Pianist, Vitaly Margulis

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Preparing for a Skyped piano lesson to Europe by tweaking a Logitech Cam (Videos)

arioso7: Shirley Kirsten

Since there's a 9-hour difference between my West Coast locale and London, England, I had ample time to prep my external cam for the right keyboard angle. Conversely, the student beaming in from Europe had her SWEEX HD all lined up, with a link to Amazon where she purchased it, but not to THE AMAZON,… Continue reading Preparing for a Skyped piano lesson to Europe by tweaking a Logitech Cam (Videos)

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Part Six Piano Instruction, Beethoven’s “Tempest” Sonata No. 17, Op. 31 No. 2 and all FIVE teaching segments preceding

arioso7: Shirley Kirsten

In order from Part One to Six: I. http://www.youtube.com/watch?v=Bd-lC_JeNS0 II. http://www.youtube.com/watch?v=T9VNsvfyNtE III. http://www.youtube.com/watch?v=ntQ4fJ-Swlg IV. http://www.youtube.com/watch?v=fargqHQiJfk V. http://www.youtube.com/watch?v=Pd52itE4aAQ VI. http://www.youtube.com/watch?v=nwQzBpWJWqs LINKS: Part ONE: Beethoven Tempest Sonata in D minor https://arioso7.wordpress.com/2012/04/01/practicing-tips-for-beethovens-tempest-sonata-op-31-no-2-part-one-video/ Part TWO Instruction https://arioso7.wordpress.com/2012/04/01/piano-instuction-part-two-beethovens-tempest-sonata-hand-cross-over-with-tremolo-in-the-middle-voice/ Part THREE Instruction https://arioso7.wordpress.com/2012/04/03/piano-instruction-part-three-beethoven-tempest-sonata-in-d-minor-op-31-no-2/ Part FOUR Instruction https://arioso7.wordpress.com/2012/04/04/piano-instruction-part-four-beethovens-tempest-sonata-in-d-minor-op-31-no-2-measures-55-93/ Part FIVE Instruction https://arioso7.wordpress.com/2012/04/05/piano-instruction-part-five-beethovens-tempest-sonata-op-31-no-2-measures-93-to-158-development-recitative-submerged-pedal/ PART SIX, referenced in You Tube format http://www.youtube.com/watch?v=nwQzBpWJWqs

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Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)

arioso7: Shirley Kirsten

This is a hauntingly beautiful section of the first movement. After the composer has devoted so many preceding measures to the key of A minor, he decides to travel at quick intervals through a series of different keys. Such fast-paced modulations occur primarily with the return of the crossed-hands portion of the piece, beginning in… Continue reading Piano Instruction: Part FIVE, Beethoven’s “Tempest” Sonata, Op. 31 no. 2 Measures 93 to 158 (Development, Recitative, submerged pedal)