A universal complaint among piano students relates to sight-reading. They find themselves stumbling through the first playing of a brand new piece, not knowing if an end is in sight. The faltering, (wrong note, right note in treble and bass clefs) can keep a "reader" so contained in one measure at a time, if not… Continue reading How to Improve Sight-reading at the Piano
Category: piano tutorial
Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)
http://www.youtube.com/watch?v=rEAm3TYmSIk I've chosen Burgmuller's E minor "Inquietude" (Restlessness) from the composer's Twenty-Five Progressive Pieces, to demonstrate a spring forward movement of the wrist used with groupings of three slurred 16th notes that permeate the selection. I also enlist syllables, "da-lee-dle" to assist with shaping the 3-note figures. http://www.youtube.com/watch?v=oyzhVZJODn0 The Schirmer edition is below. I use… Continue reading Piano Instruction: Flexible wrist, rolling forward motion for shaping groups of notes in Burgmuller’s “Inquietude” (VIDEO)
Piano Lesson: Fritz, Age 7, performs his composed piece, “FINDING GOLD” (Video)
http://www.youtube.com/watch?v=JFObHOAwNV0 Over a period of three weeks, seven year old Fritz, who'd been taking piano lessons for about 7 months, composed a piece that he titled, "Finding Gold." The student has been using Faber Primer Piano Adventures, with my inserted modifications. He warmed up this past Monday with Lesson Book p. 24, C-D-E-F-G March transposed… Continue reading Piano Lesson: Fritz, Age 7, performs his composed piece, “FINDING GOLD” (Video)
Piano Instruction: Spot Practicing, Presto Agitato movement 3, Beethoven’s “Moonlight” Sonata
http://www.youtube.com/watch?v=RraBDtDo9Nw Beethoven's C# minor Sonata, Op. 27, No. 2, the "Moonlight") RELATED: https://arioso7.wordpress.com/2011/04/03/piano-instruction-out-of-a-rut-with-spot-practicing/
Piano Instruction: Out of a Rut with Spot Practicing
I've discovered a way to advance a piece that's found itself in the doldrums --held back by the same snags that most students dread and want to avoid. The remedy boils down to spot practicing with a generous serving of patience. We all remember our teacher's mantra to separate the hands and play very slowly… Continue reading Piano Instruction: Out of a Rut with Spot Practicing
Music Theory and Piano Study: It doesn’t have to be drudgery
Music Theory doesn't have to be drudgery If I turn the clock back to my early days as a piano student, I can say without a doubt that I absolutely HATED “Music Theory” or anything remotely related to it. And I can clearly thank my very pedantic teacher, Mrs. Schwed for this aversion. She made… Continue reading Music Theory and Piano Study: It doesn’t have to be drudgery
Making Pianistic Compromises: Schubert Impromptu in Eb, Op. 90
http://www.youtube.com/watch?v=VHFOPFzUxUw I was struck by a post at Piano World.com about making compromises when playing difficult passages. The writer referred to a technically challenging Chopin work: "But I simply cannot manage to get every note in on the two long runs, the first of which comes on measure 15. When trying to play to speed,… Continue reading Making Pianistic Compromises: Schubert Impromptu in Eb, Op. 90
Scouting a Piano Teacher
I have to thank "Lisa" for generating this idea for a new blog. Sometimes, the fountain runs dry until a student experience, teacher-related crisis, or musical event renew the supply. Let me think about this whole issue of picking and choosing the "right" piano teacher. (Applies to adult student-seekers as well) Hmm... I probably covered… Continue reading Scouting a Piano Teacher
Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds
http://www.youtube.com/watch?v=Yh09WH_g7wo I can always use an extra pair of hands to navigate the Baroque composer's technically challenging sonata It's a real workout playing Domenico Scarlatti's essercizi or sonatas. The impossible leaps, crossed hands, trills and syncopation that permeate the composer's music require a daredevil to take on the challenge. Scarlatti will sometimes defy a player… Continue reading Domenico Scarlatti Sonata in A, K. 113–in leaps and bounds
Why Play Scales?
Scale practicing examples: https://youtu.be/SJGbnFQB8L8 https://youtu.be/Bo1ptHbMu9M https://youtu.be/W3N_9Me7hXQ *** The Backdrop: As a young piano student living in New York City, I remember my reluctance to prepare a mandatory scale each week for my lesson. In fact my first teacher had so many students, she always seemed to forget the scale she had assigned to me, so… Continue reading Why Play Scales?
