Category: pianoaddict.com

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Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

arioso7: Shirley Kirsten

I first came to know this piece when a fifth grader at P.S. 122 in the Bronx was selected to play it at our student assembly. The ebb and flowing beauty of this work was so poignant, that I stored it away in my memory until I was able to personally experience this composition years… Continue reading Piano Instruction: Debussy Arabesque No. 1 (Video)–and playing through the whole composition

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Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)

arioso7: Shirley Kirsten

At the cue of a SKYPE musical trademark ring, I tapped the green-colored phone icon and brought an eight-year old, her dad, and a grand piano into view. A second virtual lesson beamed between California and Oregon officially began! Featured composition: Chopin's Waltz in A minor, no. 17, Op. Posthumous. This time I aimed my… Continue reading Between California and Oregon: Skyping Chopin with an eight-year old student (Video of lesson in progress)

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A Skyped Piano Lesson in Progress: Practicing Mazurka by Maria Szymanowska (Videos)

arioso7: Shirley Kirsten

My third SKYPED Piano Lesson is brought to you in living color. The adult student framed by an iMac, is one of my regulars up in El Cerrito (Bay area USA) and since I'm unable to travel to her home to teach more than once a week, extra Virtual-based practice is desirable. (We worked on… Continue reading A Skyped Piano Lesson in Progress: Practicing Mazurka by Maria Szymanowska (Videos)

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Piano Instruction: Common student problems related to playing Clementi Sonatina, Op. 36, No. 3, Spiritoso (Video)

arioso7: Shirley Kirsten

The student I'm currently teaching by Skype has received a number of supplemental videos from me that target problems universal to those learning Clementi Sonatina, Op. 36, No. 3. In this video, geared for teachers as well as students, I define areas in the first movement, Spiritoso, that need particular focus for improvement: http://www.youtube.com/watch?v=e_q_vUSLIDI As… Continue reading Piano Instruction: Common student problems related to playing Clementi Sonatina, Op. 36, No. 3, Spiritoso (Video)

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Piano Instruction: Schumann Arabesque, Op. 18-Using a supple wrist follow through motion, and parceling out voices (Video)

arioso7: Shirley Kirsten

The Schumann Arabesque is a heartfelt character piece from the Romantic era. It requires the player to have a very supple wrist to realize the lilt of buoyant, legato dotted eighth/16th figures that permeate the music. http://www.youtube.com/watch?v=TPqrQJccLQ4 Though the composition is in C Major, it has interludes in the minor, that are somber and impassioned.… Continue reading Piano Instruction: Schumann Arabesque, Op. 18-Using a supple wrist follow through motion, and parceling out voices (Video)

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My First Skyped Piano lesson from California to Oregon

arioso7: Shirley Kirsten

I must say I was skeptical going into this until I watched the Skype screen enlarge an 8-year old to nearly life-size proportion as she sat comfortably at her piano. Her dad, a tech savvy parent with an ability to guide me through the basics of Skyping, was co-director with his web cam weaving around… Continue reading My First Skyped Piano lesson from California to Oregon

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More ideas about Piano Technique and Mental Imagery (Playing into a Bowl of Molasses)

arioso7: Shirley Kirsten

Continuing my practice of videotaping my Thursday evening lesson, I reviewed the footage and discovered some catch words that helped me clarify ideas about technique and fluency. While it may sound a bit outlandish to think of the piano as a "bowl of molasses," the image alone helped my adult student approach the keys with… Continue reading More ideas about Piano Technique and Mental Imagery (Playing into a Bowl of Molasses)

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About the physical side of playing piano: What we need to teach at all levels (Videos)

arioso7: Shirley Kirsten

I wish I could have waved a magic wand when I was six years old and produced a beginning teacher who would have artfully nursed me through my crawling stage to a graceful, phrase-loving adulthood at the piano. I needed to learn how to produce a singing tone, moving with agility from one note to… Continue reading About the physical side of playing piano: What we need to teach at all levels (Videos)

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One of my students performs J.S. Bach’s Fugue in C minor, BWV 847, Regional Finalist, Baroque Festival

arioso7: Shirley Kirsten

http://www.youtube.com/watch?v=5b9p5z9XbEI Staci played both the Prelude and Fugue in C minor, BWV847 for the Central Valley Baroque Festival. All Regional finalists received Medals and an appearance at the Honors Recital The recording conditions were not the best.

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Playing through the entire Bach Fugue, BWV847 in C minor, fleshing out form as I go along (VIDEO)

arioso7: Shirley Kirsten

The score is copied below the video: http://www.youtube.com/watch?v=Be4YQ29gb1g http://www.teoria.com/articulos/analysis/BWV847/index.htm RELATED: Analysis of Fugue in C minor, BWV847: Subject, Counter-subject I and II, Exposition, Episodes (Development) Recap subject, etc. https://arioso7.wordpress.com/2011/07/04/piano-instruction-analysis-j-s-bach-fugue-in-c-minor-bwv847-videos/